One thousand people have one thousand versions of 'The Bull Comes.' Some see it as handcrafted performance art; some see it as 'the bull market is here'; some see it as a tech metaphor for 'tripping semiconductors'; some see it as a MEME; some see it as a blank canvas for secondary creations. This kind of alternative 'raw' expression lowers the completeness of the work itself, yet unexpectedly reaps the benefits of deconstruction: deconstructing the polished and grand narratives. At the same time, it gives everyone enough space to pour in their own emotions, anxieties, hopes, self-mockery... Whatever you want to add, add it. However you want to interpret it, interpret it. No one’s stopping you. It completely hands over the right to interpret, and that’s exactly where its vitality comes from. Is it a great movie? Who knows. But at the very least, it’s a really interesting one.